Showing posts with label trains. Show all posts
Showing posts with label trains. Show all posts

Noshing on the train

I'd like to report that I've been exploring the universe via TARDIS and that's why I've been absent. Instead, I've been preparing to travel cross-country the old-fashioned way (auto) from LA to Chicago. I have a new job at the American Planning Association, but I'm looking forward to getting back onboard the blogging train (haha).

Speaking of trains, Amtrak is kicking it up quite a few notches in terms of its food offerings. It's bringing together well-known chefs to develop new menus:
The chefs’ gathering has spawned dishes as diverse as a spice-rubbed Atlantic salmon fillet and vegetarian shell pasta with corn, leeks and Parmesan cheese. One dish — a [Tom] Douglas creation — prompted a passenger to write to the Los Angeles Times’ Culinary S.O.S. column in search of the recipe for “the most delicious” lamb shanks with mushrooms she and her husband sampled in the regular dining car of the Southwest Chief route that took them from L.A. to Chicago.
Last time I rode Amtrak a few months ago, it was definitely an instant coffee/chips/preservative-filled pastries kind of selection. (Although, why does crappy coffee taste so delicious in particular situations? It's the same with airplane food. Everyone complains about it, but how often do you see someone refuse a meal or even just eat half? Never. People scarf it down and don't look the least bit disgusted.) In any case, I'd love to one day take the train between LA and Chicago in first class so I can sample those lamb shanks.

National Train Day

National Train Day is coming up on Saturday, May 11. There are events happening at different places across the country. In Los Angeles, Union Station is hosting what sounds like a fun day for kids and adults:
The National Train Day event at Los Angeles Union Station will feature free kids’ activities sponsored by Chuggington, interactive and educational exhibits, model train displays and giveaways. Visitors will have the chance to tour private luxury railcars, freight and commuter trains, as well as current Amtrak equipment.
I really want to go since luxury railcars are like tiny houses on wheels (and I love tiny houses!). I also want to know if Chuggington is a sentient being, an anthropomorphic train, or an abstract marketing concept.

I also suspect there will be lots of train enthusiasts at this event, and it would be fun to chat those folks up. Someone once told me I was obsessed with people who are obsessed and I think that's quite accurate. I don't have the attention span to be a true obsessor (at the moment, I'm simultaneously into knitting, fly fishing, and banjoes - I like to call myself a serial hobbyist) and so I live vicariously through those who can devote themselves without reservation. Train people are like that. In fact, hardcore train fans are called "foamers."

On a related topic, John McPhee had a great two-part article about coal trains in a 2005 issue of the New Yorker.

Update: I'm apparently very out of the kids' television programming loop - Chuggington is an animated talking train show.



The caboose house

I have a fondness for tiny houses that my friends don't really understand. It's mostly from enjoying creative uses of limited space (having faced this dilemma myself many times), appreciating the small carbon footprint of tiny houses, and finding the enthusiasm of tiny house aficionados quite infectious. Or maybe I just have an adult doll house fetish. I also find tight, confined spaces (like MRI machines) comfortable rather than panic-inducing. So, my love of tiny houses I suppose is the result of any of a number of understandable and kind of weird factors.

The range of structures that fall under the tiny house umbrella vary considerably. Some are fixed structures and others are transportable. They can be built from scratch, converted, or salvaged. And some are utterly unique living spaces - like this caboose house that I came across recently. It's utterly adorable and it even has a washer/dryer in the unit!


The caboose house was featured on an episode of HGTV's You Live in What? show.

If anyone is interested in tiny houses, some great sites include Relaxshacks.com, Tiny House Blog, LittleDiggs, Tiny House Listings, and This Is the Little Life.

(via Tiny House Blog)

Social drama on the quiet car

I've seen a number of articles and op-eds recently about quiet cars, such as Amtrak's offerings on a number of its routes. Much of the discussion is about violators of the quiet cars policies - policies that are kind of official, but not really, and sort of enforced, but not entirely. The relative vagueness of the boundaries and the enforcers has manifested itself in confrontations between passengers. In the New York Times, Tim Kreider describes an exchange between two passengers (the man being what some call quiet car "vigilantes"):
Not long ago a couple across the aisle from me in a Quiet Car talked all the way from New York City to Boston, after two people had asked them to stop. After each reproach they would lower their voices for a while, but like a grade-school cafeteria after the lunch monitor has yelled for silence, the volume crept inexorably up again. It was soft but incessant, and against the background silence, as maddening as a dripping faucet at 3 a.m. All the way to Boston I debated whether it was bothering me enough to say something. As we approached our destination a professorial-looking man who’d spoken to them twice got up, walked back and stood over them. He turned out to be quite tall. He told them that they’d been extremely inconsiderate, and he’d had a much harder time getting his work done because of them.
“Sir,” the girl said, “I really don’t think we were bothering anyone else.”
“No,” I said, “you were really annoying.”
“Yes,” said the woman behind them.
“See,” the man explained gently, “this is how it works. I’m the one person who says something. But for everyone like me, there’s a whole car full of people who feel the same way.”
Fred Jandt at Mass Transit describes his conflicted feelings as someone who appreciates the quiet car amenities, but not the admonishment that comes along when one passenger decides to enforce the rules of social order:
But here is the thing — most quiet cars allow you to speak quietly. They don’t demand silence. But other riders sure do. I know that I’ve been shushed into silence on a quiet car when I was having what I thought was a politely subdued conversation with the person next to me
These interactions are extremely interesting and I wonder if transit agencies will firm up the rules or start stricter enforcement. What I also think is interesting, however, is the class privilege aspect of this whole issue. This is happening on commuter trains and not, for example, on buses. While it is possible to designate a quiet car on a train because there are multiple cars (which is clearly not the case on buses), the attitude toward "amenities" is very different. We most often think of the physical amenities of transit (shelters, benches, easily accessible vehicles, etc.) and service amenities (on-time arrivals, minimal out-of-vehicle time, easy access to travel information, etc.), but less about social amenities. Yet these less tangible and less measurable qualities of transit travel contribute significantly to the overall travel experience of passengers.

I found in my own research that the looseness and tightness of social spaces (based on Erving Goffman's ideas about behavior in public places) varied significantly between local and Rapid buses, with local buses being much, much looser both in terms of the range of acceptable behaviors and the regulation of social order by others engaged in those spaces. The hierarchy of modes - with local buses at the very bottom - and the perceived stigmas (hence references to the bus as the "loser cruiser") mean that there would never be an attempt to develop the kind of rules on buses around noise that we're seeing on these trains. Nor would bus riders, particularly on local buses, feel compelled to police that space. It's just a reality that buses are where you'll hear about people's experiences with drug addiction, prison, relationships on the rocks, and unintended pregnancies.*

* All things I heard while conducing my fieldwork.

(via New York Times, Wall Street Journal, Mass Transit)

Insull transit posters

Samuel Insull, a Brit who came to the U.S. to work for Thomas Edison, became a major shareholder in the Chicago utilities and transit sectors by the 1920s.
Chicago’s transit lines had been doing advertising and even some poster designs since the 1910s, but there was no consistent graphic approach or what we now know to be “branding” in the direction of the marketing. This all changed once Insull took hold of the Elevated Rapid Transit System and the associated interurban lines. He soon assigned the poster project to the railroads’ president, Britton I. Budd, who later brought people like the North Shore Line’s Publicity Manager Luke Grant and Commercial Department Head John J. Moran, into the fold.
The design of the posters covered a wide range of styles. From the figurative work of artists like Willard Frederic Elmes and the young Oscar Rabe Hanson to the flat graphic interpretations of Ervine Metzl, many of the works produced were as strong and bold as anything being created simultaneously in the U.K. or Germany. The series not only utilized the talents of professional artists like Leslie Ragan, Elmes and Metzl, but also was a proving ground for newcomers like Hanson, and other art school students like Clara Fahrenbach and Wallace Swanson.



Sedelmaier's piece includes a treasure trove of poster images. The poster campaign ended in 1930 and, reports Sedelmaier, the posters faded from the forefront until Dave Garlter of Poster Plus in Chicago came across a bunch of unused posters 45 years later. He mounted and exhibited the posters and renewed interest in the Insull transit posters followed. 

(via Salon)